Let’s review: DC Comics (home of Gorilla Grodd, Blue Beetle, and Ragdoll. Oh, and Superman and Batman) decided to reboot their entire line of comics. Every comic they published started from number one again, including the comics that had been running non stop since the 1940’s, and nothing that we have ever read in a DC comic has actually happened before. The goal is to streamline their admittedly very confusing continuity, in order to make DC’s comics more accessible to new readers.
I’m a little surprised that I’m doing this, as I met the whole DC reboot thing with a resounding shrug of indifference. I’m not really doing much superhero reading these days, and continuity means less to me than ever before. I was reading exactly 5 DC comics before the reboot, and they were all cancelled (though to be fair, they probably would have all been cancelled anyways.) But as the day to the reboot got closer and closer, I have to admit that I got a little excited. Why?
Because superhero comics is what I grew up on. They’re what got me hooked on this medium, and no matter how many independent autobiographical graphic novels I read, I’ll always have a soft spot in my heart for superheroes. They were my first love, and you never forget your first love. The thing is, it takes a LOT for a superhero comic to impress me these days. When reading these, all I wanted was a good, enjoyable story. That’s it. I didn’t care about how the continuity didn’t jive with what happened before, or who the characters were. All I wanted were good stories.
Did I get my wish?
Batgirl #1 by Gail Simone and Adiran Syaf
A quick summary for those not familiar with Batgirl: For decades, she was Commisioner Gordon’s daughter Barbara. Who was then shot in the spine by the Joker, and ended up in a wheelchair. Barbara then became an information broker/IT support to DC’s superhero set under the name of Oracle, and as a result of the work that Gail Simone did with her on Birds Of Prey, proceeded to become one of the more interesting parts of the DCU. Other people went on to become Batgirl.
I had mixed reactions going into this book. Although I have all the confidence in the world in Gail Simone, I did think that this book was unnecessary. Bryan Miller had done an excellent job in getting me to love Stephanie Miller as Batgirl, and Gail Simone had also done an even better job over the years in getting me to love Barbara Gordon as Oracle. I loved that one of the more interesting players in the DCU was in a wheelchair, and I thought that putting her back in the Batgirl suit was gimmicky at best, superfluous at worst.
I hate to say it, but I think I was right.
Batgirl is a fine comic. There are some nice dialogue bits (always a Simone trademark), and I really liked Adrian Syaf’s action sequences a lot. And I really loved the concept of Batgirl being terrified to be Batgirl. We take it for granted that every superhero is a bucket full of courage, so it was nice to see one actually freeze up in the face of danger, and for good reason But I think one of the main things that the new DC books need to do is to show exactly WHY they should be replacing the books that they do. And there was nothing in Gail Simone’s Batgirl that accomplished that for me. You could have told the exact same story with Miller’s Batgirl, and in fact it might have made more sense, considering that character’s age, and lack of experience.
I think that Simone was put on this book because of her background with the Barbara Gordon character, but it’s pretty obvious that this isn’t the Barbara Gordon we know. Shared experiences aside, there is a casualness and joy about this version of the character that hasn’t existed in the character in decades, and it really feels like a step back for the character, not a step forward. And I guess that’s the point. But as far as I can tell, this Batgirl isn’t much different from the series it replaced, except that A) The name of the character is different, and B) it isn’t quite as good.
Batwing #1 by Judd Winick and Ben Oliver
This is one of the most underordered of the new DC books, but I picked it up based on the strength of Judd Winick’s skills. I’ve always liked his superhero writing, and while his talents are obvious here, I don’t think they are going to be enough to really make this book a success.Although the setting of Africa is somewhat untapped for a superhero book, at the end of the day, it’s just another costumed guy fighting other costumed guys. There is nothing “bad” about this book whatsoever, but there’s also not enough that’s unique about it to justify more than a first read.
Detective Comics #1 by Tony Daniel and Ryan Winn
While Daniel’s talents as an artist are obvious, his skills as a writer have been lost on me thus far, and unfortunately Detective Comics #1 doesn’t do much to change my mind. As with most of the other DC books I read today, this was a fine superhero comic book. Rights get wronged, bad guys get vanquished, etc. etc. But the dialogue here is overly heavy-handed at times, and there are a lot of words that most likely were best unsaid. For the most part, there seemed to be almost no difference between this Batman, and the Batman we knew two weeks ago, except that A) his costume sucks, and B) everyone is about 10 years younger.
But what’s getting people talking is the final page. And don’t get me wrong, it’s an AWESOME final page. One of the best cliffhangers I’ve read this year in fact. Unfortunately I had to slog through 24 average pages to read it.
Justice League International #1 by Dan Jurgens and Aaron Lopresti
The JLI is a beloved concept among DC fans. In its hey day, the title represented an excellent mix of humour and action, both of which are traits that are sadly absent in today’s first issue. It’s hard to see just how DC got this one so wrong. It wasn’t even 6 months ago that Judd Winick was finishing up probably the best JLI story NOT written by Keith Giffen. The team was re-energized, sales were good. And then this. It’s hard to imagine a comic less fun, less funny, and less full of the spark that got people invested in these characters in the first place. That this was actually published does not give me confidence in DC’s editorial team.
Stormwatch #1 by Paul Cornell and Miguel Sepulveda
When talking to people online, this seemed to be the book people were most curious about,probably because it involved the most obvious changes to DC continuity. Like I’ve said before, I don’t care about the changes so much. I have no problem with change. All I care about is good stories. And this, my friends, is NOT a good story. In fact, this was a terrible story. Kudos to DC for trying to bring back old Wildstorm characters, but what DC doesn’t seem to understand is that the original Ellis/Millar run on Authority had NOTHING to do with the characters. It had everything to do with what was happening in the world at the time, and in comics. Authority wasn’t about superheroes, it was a reaction against them. And with all due respect to the talented writers who tried to salvage the Authority after Mark Millar left the book, but it’s a comic whose time has passed. Every interesting story you could tell with a group of heroes who have positioned themselves above even earth’s premier superheroes has been done, and with the all-ages mandate that DC has, there is NO way that they’re going to be able to tell the edgy, dark stories that the concept demands. Paul Cornell is a writer that has been given much praise as of late, but there’s been nothing since his days on Captain Britain that has really impressed me. And this clumsy, half-baked, watered down attempt at reviving a concept that should have stayed dead does nothing to change that opinion.
Swamp Thing #1 by Scott Snyder and Yanick Paquette
I’ve never really cottoned to the Swamp Thing character. I know, I know. It’s the character that first introduced Alan Moore to North American audiences, and so there will always be a soft spot in people’s heart for the concept. But it’s never done that much for me, and I’ve ignored most attempts to update the character. So if I don’t care about Swamp Thing, then why did I pick this up? Two words: Scott Snyder. His run on Detective Comics really surprised and impressed me, and his new series for Image is intriguing as well. Unfortunately, he seems to be saddled with a LOT of baggage here, as the editorial committee at DC seems determined to cram a lot of back story down our throats. So even though in theory all continuity has been rebooted, there are still stories that apparently happened, and so most of this issue is about telling us how all of that stuff matters, even though it shouldn’t. This book looked pretty, but there was nothing in it of any real substance, and nothing that would convince me to get a second issue.
Men Of War #1 by Ivan Brandon and Tom Derenick
There have already been comparison’s to Garth Ennis’ work with this title, but I can’t see it. Other than the fact that it’s a book about military men, there is none of the emotion, or tension, or drama that you would find in an Ennis book when he’s at the top of his game. What you do get here is a solid, Sgt. Rock update. And while I have no problem with a solid Sgt. Rock update, and appreciate that there is room in this DCU for non-superpowered folks, this is simply just another ok book, among a lot of other ok books that were released today.
Animal Man by Jeff Lemire and Travel Foreman
This was probably one of the most anticipated of the new books, and I’m happy to report that its also easily the best of the bunch. By a lot. Why? Because this was the only title of the lot today that actually took any chances, and that was anything more than just a run-of-the-mill DC superhero book. And it was also the only one to really try to take advantage of the slimmer continuity and try to really reinvent it’s character in a real way. I mean, any superhero comic book that starts with a full-page of TEXT, and then continues with 5 full pages of a family talking around a breakfast table has to be something special right? Or terrible. Thankfully in this case it’s the former. Jeff Lemire continues to show why he is one of the brightest young stars in comics today with a book so full of emotion, drama, and character development, that I kept thinking I was reading a Vertigo book. So far, it’s only one of two of the new titles that actually made me excited to read the second issue.
Action Comics by Grant Morrison and Rags Morales
When reading online feedback about this reboot, variations on this theme kept cropping up: “At least Action Comics by Geoff Johns will be great right? “. It was nice to see that at least one prediction regarding this relaunch came true. At first glance, Superman is DC’s character most in need of a reboot. He stands for truth, justice, and is a black and white figure in a world full of greys.In other words, the character doesn’t really fit in today’s world. And so what does Grant Morrison do? He exaggerates every single one of the character traits that make Superman anachronistic to this era. Morrison’s Superman is a cocky, yet naive man-child stumbling from adventure to adventure, never once thinking about the consequences of his actions. There are bad guys. They need to be stopped. The end.
That’s the way Morrison’s Superman thinks, and it’s a wonderful character flaw to have in a character that has no actual weaknesses. The other thing that Morrison does here is to capture the sheer wonder that everyone in Metropolis regarding the miracles that Superman performs on a regular basis. On page after page, we see characters react in disbelief at what this man of steel can do. It’s a refreshing take on a world that is usually pretty blase about these sorts of things. I also need to mention Rags Morales here. He’s been one of my favourite superhero artists ever since Identity Crisis, but I think he surpasses that work here. He captures the dynamic energy of our hero so perfectly, that I can’t believe he hasn’t always been doing this book.
If it took upsetting the entire DC apple cart to get this book, it was worth it.
To sum up: Out of the 9 books I read today, I loved 2, liked one, despised two, and thought the rest were ok. The one thing that I think DC missed the boat on is to really start from scratch with these characters. Most of these books take place about 5 years after the first superheroes were sighted. So even though OUR history with these characters didn’t exist, they still do have a history, and too many of the books needed more exposition than should have been necessary for comics attempting to entice new viewers.
Still, not a horrible first week, I guess.