The Great Comic Book Cull Of 2010/2011 Part 55: Marvel Comics – Spider-Man Part 1!

The greatest superhero of all time.

It’s taken me a while to get back to my culling project, mostly because I’m sick to death of my culling project. The problem is that I read so far ahead of what I was writing about, that I actually lost interest in it by the time I had to write about it. Plus, me not so interested in superhero comics anymore, and it’s still going to be a while before we get to the indie and creator owned stuff that I really enjoy. Still, I’d like to finish what I started, and so I give to you this:

Spider-Man is the greatest superhero of all time.

Yep, I said it. No take backsies. I’d fight anybody (well, not ANYBODY. If you’re a UFC fighter, or a professional soldier I just don’t think that would be very fair. Or if you ever took a self-defence course. Or watched a lot of martial arts movies. Or if you own a baseball bat) who says differently. Why, you ask? It’s not because of the suit, though the design and look of Spider-Man is a huge part of the character’s success. And it’s not because of the powers, though again, awesome.

It’s because of his origin. It’s the greatest in comics. Better than Superman (illegal immigrant becomes neo-messiah), better than Green Lantern (thrill-seeking diva is given magic jewlery by alien Chamber Of Commerce), and yes, I dare say it’s even better than Batman (spoiled rich kid sees his parents killed, becomes spoiled rich adult who also is absolutely crazy). Batman’s may be the most tragic, but Spider-Man’s is better. Why? Because it’s his fault. When people think of Spider-Man’s origin they usually think of the spider biting him after class, but me? I think of Uncle Ben.

After Peter Parker figures out he has godlike spider powers, he does what any of us would do: He robs a bank and bangs hookers. No actually, he becomes a professional wrestler. He wears a mask while he does so because Aunt May was hoping that he would grow up to rob banks and bang hookers, and he’s embarrassed that he didn’t live up to her expectations. One day, a thief makes his way into the arena that Parker is working at, and although Parker has plenty of opportunity to stop the villain, he lets him go. And so of course in the middle of a city full of 9 million people, the bad guy just happens to stumble into Peter’s Uncle Ben immediately afterward, and kills him dead.

It’s Parker’s own fault. That’s the whole crux of this guy. He was given a great gift, he didn’t use it properly, and he paid the ultimate price. It’s so simple, and yet it’s almost never used in superhero comics anymore. Unlike most of his contemporaries, he has the perfect motivation for doing what he does, and without motivation, you just have a guy who likes to dress in fetish gear and likes to get punched in the face.

That’s why he’s stuck around so long. More than any other hero, he truly understands what a responsibility he has, and as such, is probably the only true hero in a universe full of pretenders.

Spider-Man: Essential Spider-Man 1-6

I’ve mentioned numerous times throughout this project that I’ve gotten rid of most of my Marvel Essentials, and although the actual quality of the comics these are reprinting are unmistakable, the quality of the reprints themselves just doesn’t do these comics justice. These collect the run of Amazing Spider-Man from the early 1960’s to the early 1970’s, and are as close to the Holy Grail as you’re going to get in superhero comics: Stan Lee. Steve Ditko. John Buscema. Roy Thomas. The first appearance of Spider-Man. Flash Thompson. The Kingpin. The Green Goblin. The Death of Uncle Ben. Glory Grant. J. Jonah Jameson. The death of Gwen Stacy. And so on.

When it comes to the Silver Age of superhero comics, it doesn’t get better than this. And yet, I’m getting rid of them. The Essential line are basically cheap, black and white reprints of classic comics, and while they are eminently affordable, you do get what you pay for, and sadly reading these digitally and in colour on my iPad is a more fulfilling experience than these black and white cheapies.

CULL

Spider-Man: Greatest Villains

This was a collection of some of the greatest stories involving some Spider-Man’s greatest villains (Green Goblin, Mysterio, Sandman, Venom, etc). Like the Essential line, the quality of the stories themselves are not in doubt, but the quality of the presentation sadly is. LIke many Marvel trades from the late 90’s, the glue on has deteriorated to the point that it’s unreadable, and therefore not worth owning.

CULL

Spider-Man & Black Cat – The Evil That Men Do

This was from the brief period in the late 90’s/early 2000’s in which Kevin Smith was considered to be a good comic book writer. Thankfully, that time seems to be over now, and it’s rare that any of the major comic book companies will let Smith near their characters. But the comics from this period are still around, and this one might be one of the worst. Smith reimagines long time Spider-Man supporting character Black Cat as a bisexual vamp whose previously unmentioned rape was a big motivator for her beating up bad guys. It’s turgid, over-the-top, and barely readable. In short, it’s Kevin Smith. Terry Dodgson’s art is fun, and as one would expect, his Black Cat is about as sexy as is legally allowed in comic books. But it’s not enough to save this turkey.

CULL

Next up: More Spider-Man!

 

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The Great Comic Book Cull Of 2010/2011 Part 42: Marvel Comics – Deadpool, Daughters Of The Dragon, Dr. Strange, and The Exiles

Deadpool – Deadpool Classic Vol. 1

Deadpool might be the last original Marvel character to really gain mainstream popularity. When you consider that he was created almost 20 years ago, it shows how much people care about the current slate Marvel characters.

His popularity is mystifying to me. I will give a no-prize to anyone that can give me even one reason why the character still endures. Rereading this collection of his first few solo mini series did nothing to change my mind. The fun, cartoony art by Ed McGuinness and Joe Madureira are overshadowed  by the infantile humour and poor pacing, and I’m more than a little embarrassed that I bought this in the first place.

CULL

 

Daughters Of The Dragon – Samurai Bullets

Sometimes the math doesn’t add up. I’ve long been a fan of these former supporting cast members, not to mention that I love the writing team of Justin Gray and Jimmy Palmiotti. I also think that Khari Evans has a lot of potential, and has a big future in store for her in the comic biz. Then why don’t I like this more? I think it’s because they are trying to tell so many types of story at once (superhero, kung-fu, blaxploitation), that they lose their focus, and forget to tell a cohesive one. Although there’s some joy here, it’s ultimately not compelling enough to keep.

CULL

Doctor Strange – Master Of The Mystic Arts

This is a digest collection of some the good Doctor’s earliest adventures by Stan Lee and Steve Ditko. Brief primer: Former great surgeon goes to Tibet to regain the use of his hands after a terrible accident. He meets the Ancient One, a Tibetan yoda that teaches him how to become Earth’s greatest sorcerer. These are breathtaking stories, and Ditko was never stronger than his work on this 1960’s mind-fuck.  Unfortunately the digest format doesn’t do this amazing work justice, but I’ll keep it until I can replace it with the Marvel Masterworks version. Essential for fans of 1960’s Marvel comics.

KEEP

Doctor Strange – The Oath

Doctor Strange is probably the most successful Marvel character never to have his own successful series. There have been numerous shortlived attempts at doing more with Doctor Strange, but it’s never seemed to work, and for the most part Marvel seems content at using Strange as it’s resident deus magical ex machina. The Oath was a mini from a few years ago, written by Brian K. Vaughan, with some incredible art by Marcos Martin. This a little-known gem of a story, one that focuses a little more on the Doctor part of the character than the Strange part. Although Brian Vaughan is more known for his creator-owned comics, this is one of my favourites of the superhero work that he’s done.

KEEP

Exiles – Exiles, A World Apart, Out Of Time, Legacy, Unnatural, Fantastic Voyage, Time Breakers, Age Of Apocalypse, Bump In The Night, A Blink In Time, Earn Your Wings, World Tour Book 1 and 2, The New Exiles Enemy Of The Stars, Starting Over

This is the kind of series that gets launched regularly by both major publishers, but rarely seem to work for any period of tine. The concept was designed to take advantage of the endless amounts of alternate universes that Marvel seems to create on a weekly basis. The Exiles were a team of characters tangentially related to the X-Men. They were comprised of characters from different alternate realities, all teaming up to solve “cracks” in the multi-verse. No, I don’t know what that means either. I do know that what should have been another generic team book became one of the more interesting straight superhero books that Marvel published in the first half of the last decade. At least that’s how it started. But the reason why the book worked wasn’t the characters, it was writer Judd Winick, and the minute he left the book, it didn’t take long for it to become yet another bland superhero comic.

Why? Character vs. Plot. Winick is a character guy, and he spent a lot of time crafting a team of well-rounded, two dimensional character, with some real emphasis on their relationships, both romantic and otherwise. When Tony Bedard too over the book, character got pushed down in favour of crazy, intricate plots, involving as many alternate realities as possible. While some of those stories were readable, any hint of “specialness” that the book previously had was soon gone. By the time Chris Claremont started to write it, the book was just downright awful.

Exiles, A World Apart, Out Of Time, Legacy, Unnatural, Fantastic Voyage: KEEP

Time Breakers, Age Of Apocalypse, Bump In The Night, A Blink In Time, Earn Your Wings, World Tour Book 1 and 2, The New Exiles Enemy Of The Stars, Starting Over: CULL

Next up: the Fantastic Four!