Best non-Superhero Comics of all time: 41-50

 

We seem to be in the nerd part of the list, as 6 of the 10 books I’m talking about today are planted firmly within the science fiction genre.

Strike that, I just realized that this entire list is the nerd part of the list. Let’s get back into it, shall we?

50. Finder by Carla McNeil (Dark Horse, 1996)

finder-sineater05-02

I could write a hundred pages just about Finder, and it still wouldn’t be enough. One of the most detailed, comprehensively planned comics of all time, Finder isn’t so much a comic book, as it is a world. A worldmight I add, that we’ve only seen a tiny portion of. McNeil’s comics take me forever to read, as they’re not something you can skim through. Ever word has a purpose, and every panel has layers of thematic subtext.

49. Revolver by Matt Kindt (Vertigo, 2010)

Revolver
Matt Kindt seems to have hit the sweet spot between indie credibility & mainstream success. Super Spy got him mainstream attention, but it’s Revolver that really was his first great work. We’re in pure sci-fi territory here, with our hero jumping between two different realities, with a new jump each time he wakes up. While Kindt has now written dozens of franchise books for Marvel, DC, and Dark Horse, it’s only on books where also does the art, that I feel that his storytelling really opens up.

48. The Incal by Alejandro Jodorowski & Moebius (Humanoids, 1981)

Incal

The greatest incomprehensible mess in the history of comics. The Incal by pretty much any definition, is a terrible comic book. The plot makes no sense, the characters are one dimensional, and I couldn’t tell you what it’s about, even though I’ve read it numerous times. So why is The Incal considered such a great book? Because of Moebius, my friend.Because of Moebius. Now, I could have picked literally dozens of other Moebius comics that quite frankly are “better” comics than The Incal. But none of them really showcase his formidable chops as well as Jodorowski’s white whale does. One of the great “art” comics of all time.

47. Scarlet Traces by Ian Edginton & D’Israeli (Dark Horse, 2002)

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Do you love War of The Worlds, but thought the wrong team won? Then Scarlet Traces is the comic for you. It’s essentially Edginton & D’Israeli’s sequel to one of the greatest science fiction stories of all time. And it is absolutely fantastic. I’m a huge fan of D’Israeli’s work, but Scarlet Traces might be the very best example of his steampunky brilliance. Check out the the prequel, and sequel, as well.

46. Hark A Vagrant by Kate Beaton (Fantagraphics, 2008)

Hark a vagrant

More of an ongoing anthology of comic strips than an actual comic book, Beaton’s witty & charming approach to history & literary criticism is a perfect pick for that friend of yours that just can’t get into comic books.

45. Shortcomings by Adrian Tomine (Drawn & Quarterly, 2007)

Shortcomings

Tomine’s Optic Nerve has produced some great dramatic short stories over the years, but this 3 issue run may be his magnum opus. Tomine’s sharp, tight lines are a perfect complement to this tense exploration on relationships, race, and cultural identity. Although Ben Tanaka is a loathsome protagonist, our desire to see him “learn his lesson” keeps us engaged, and keeps cheering him on. Wonderful example of how comics can be used as effective character studies.

44. Casanova by Matt Fraction, Gabriel Ba, and Fabio Moon (Image, 2006)

casanova-cover

Fans of the twists & turns of Sex Criminals might be surprised to find that Matt Fraction has written something even more more complicated and obtuse. So much so, that it makes Sex Criminals feel as accessible as the Smurfs, in comparison. Part science fiction epic, part action thriller, Casanova wears it’s influences on it’s sleeve: Michael Moorcock’s Jerry Cornelius novels, Thomas Pynchon’s work, Alan Moore’s Watchmen, and dozens of others. Ba & Moon’s frenetic density showcase the unlimited storytelling possibilities capable by modern comic creators, like few comics ever have.

43. Pyongyang: A Journey In North Korea by Guy Delisle (Drawn & Quarterly, 2004)

pyongyang-translator

Delisle has done 4 graphic travelogues of variable quality, but it’s his in depth adaptation of his 2 month stay in North Korea that has stuck with me the most over the years. The sheer lunacy of a government that teaches it’s citizens that it’s leaders have superpowers is perfect fodder for a draftsman of Delisle’s talent.

42. King City by Brandon Graham (Tokyopop, 2008)

Kingcity

Even more than Casanova, no other comic on this list defies description quite as much as King City does. Technically it’s sexy, funny science fiction, but that really doesn’t do justice to just how whackadoodle King City really is. There’s a plot, kind of. And there’s characters, some times. But what it’s really about, is simply being a wildly inventive comic. What King City is, who the characters are, are fluid, and simply cogs in the mechanics of Brandon Graham’s brilliance.

41. Berlin by Jason Lutes (Drawn & Quarterly, 1996)

Berlin

This work of historical fiction is set in pre-WW2 Berlin, during the decline of the Weimar Republic. Although Jason Lutes has been working on this for almost 20 years, Berlin still has 6 issues to go before it wraps up. With Berlin, Lutes sets up a diverse cast of characters and puts them against the backdrop of one of the most important settings of the 20th century. There aren’t nearly enough comics like this on the stands these days, and every issue is a masterclass on how to tell small stories, in a big way.

Best Comics Of 2011: Best Web/Digital Comics Of The Year

This is the first time I’ve done this category, which says more about me being an ignoramus than it does the format itself. However, due to my wife being the greatest wife in wife history and getting me an iPad for my birthday last year, and due to the fact that I’m actually writing one of these now, I now  can finally give this sub-medium the attention it deserves. A webcomic is a comic that is a) designed primarily for the internet, and is b) that’s about it. They can be one-shots, cartoons, or serial in nature. Most of the popular webcomics seem to essentially ape the old newsprint funnies format, which is 2-3 panels of set-up, and then punchline. They’re usually comedy based, with loose or non-existent continuity. In my experience, most of the popular examples of that style are pretty weak, and overly rely on a familiarity with the requisite subject matter. The one thing I’ve learned this year is that this truly is the future of comics, and that some of the work being done on the web is equal to (or sometimes better) than what’s happening in print. And best of all? Most of them are completely free.

20. BattlePugs by Mike Norton

Yes, it’s a barbarian riding a gigantic Pug. This REALLY shouldn’t work, and at first glance I thought this was another example of the overly cutesy one-note joke BS that can be found in most webcomics these days. But in truth this is a well-plotted, comedy fantasy series. The gigantic Pug is just an added bonus.


19. Bahrain: Lines In Ink Lines In The Sand by Josh Neufeld

Although relatively new to the limelight, Josh Neufeld has officially joined the ranks of professional cartoonist-journalists like Joe Sacco and Guy DeLisle. Bahrain is the story of two Bahrainian cartoonists caught on opposite sides of the ideological fence, and their  differing interpretations of the protests that happened in that country this year. Like Neufeld’s A.D. After The Deluge showed, he focuses more of the effects of large events rather than the causation of said events. In short, he focuses on smaller, more personal stories. This would have been higher in the ranks if not for it only being a one-shot 18 page piece, but it’s an extremely moving piece.

18. Touch Sensitive by Chris Ware

One of the few strips I can’t actually paste a link to, as it was created by Ware exclusively for the McSweeney’s app for the iPad. Look at me being all literary and stuff. This was a 14 page one-shot story, but I included it because a) it’s Chris Ware, and therefore: amazing, and b) it’s the only comic I’ve read so far that has fully utilized tablet technology to its fullest potential, in that each page has swipeable features that add to the context of the story. Although I wouldn’t recommend anybody purchasing this story unless they’re already a fan of Ware’s work, it’s a great example of what’s possible with new digital technology.

17. Freak Angels by Warren Ellis & Paul Duffield

Years from now, Freak Angels is going to be heralded as a giant in its medium, not only for it’s relatively high quality, but also for it being the frontrunner of a new business model for comics: Give away good product for free, and people will want to pay for a deluxe version of it. It’s simple, and in the case of Freak Angels, it worked. Although I can’t say I would rank it among my favourite Ellis comics, I think the sheer ballsiness of the concept more than make up for any other issues I may have with the strip. Freak Angels ended this year, but Avatar was happy enough with the success of it that they’ve got several other webcomics planned.

16. The Oatmeal by Matthew Inman

Although other comics might be higher on my list, none make me laugh out loud as much as The Oatmeal. There’s no serial story here, just random charts, graphs, and musings about grammar, air travel, and food. Inman’s sense of comedic timing is stronger than most of his comedic comic competitors, and that, combined with his simple and clear art-style, make The Oatmeal one of the sites I go to the most.

15. Gingerbread Girl by Paul Tobin and Colleen Coover

Tobin and Coover have been getting a lot of attention in the superhero world in recent years, but they’re still setting time aside to tell the type of small, quirky stories that they each do so well. Gingerbread Girl is a character study of Annah Billips, a cute bisexual hipster who can’t decide whether or not she likes boys or girls, and in fact can’t even decide whether or not she’s crazy or sane. It’s a cute story, and Coover’s clean, classic art style is a breath of fresh air for those of us sick of overly dense comic storytelling.

14. Godsend by Jesse Bausch and Meg Gaundy

One of the most ambitious strips on the list, Godsend is about what happens when a prophecy fails, even though it’s absolutely essential that the prophecy comes true. That’s the dilemma posed to Jaime and Simon, the heroes of this strange and charming little comic. As with many of these strips, seeing if the creators can capitalize on a brilliant premise is half the fun of going back to it every week. So far so good.

13. Hard Graft by Peter Vine, German Erramouspe, and Jule Rivera

A look at present day Afghanistan, as seen through the eyes of two mercenaries and a photojournalist. This isn’t perhaps as polished as some of the other strips on this list, but it is getting better with every panel, and the commitment to accuracy and quality is obvious with every page. Fans of Greg Rucka’s Queen & Country would be well served by this ambitious strip.

12.  The Loneliest Astronauts by Kevin Church & Ming Doyle

This is the story of Dan and Steve. They are astronauts. All of the rest of their crew is dead. They are coping. Barely. And hilariously. This strip ended in November, in a depressing and funny way, which pretty much sums up the way I feel about the whole thing. The strip managed to be humorous, poignant, and nihilistic all at the same time.

11. Old City Blues by Giannis Milonogiannis

As a futuristic big city cyberpunk police-thriller, Old City Blues is hardly original in concept (see I Robot, Judge Dredd, Blade Runner). But in execution, its first rate. While the writing and plotting are fairly generic, it’s Milongiannis’ beautiful black and white action art which is the real star of this show. You may find more original webcomics out there right now, but you won’t find many that look this good.

10. Americus by MK Reed and Jonathan Hill

This one is cheating a bit as it’s not available online anymore. However, the web was its first home, and you can now buy it as a paperback from First Second books. It’s the story of Neal Barton, a young boy who wants nothing more than to read the latest installment of his favourite fantasy series: The Chronicles of Apathea Ravenchilde.Unfortunately, Christian fundamentalists, having heard that kids are actually reading for pleasure (GASP!) want the book banned from the library in Americus due to its immoral content and heresy, and so it’s up to Neal to fight back against the forces of censorship and intolerance. Although a little sanctimonious at times, Americus is a story that more than anything glorifies the simple act of reading for pleasure. Highly recommended for kids.

9. Axe Cop by Malachai Nicolle & Ethan Nicolle

Axe Cop is the story of well….Axe Cop. He’s a cop that has an axe. He is joined by his partner Flute Cop (spilled dinosaur blood turns him into Dinosaur Soldier, but then an avocado and Uni-Baby’s misplaced horn turn him into Uni-Avocado Soldier. He returns to being Flute Cop, only to become Ghost Cop, Drag-Tri-Ghostacops Rex, and Viking Cop), Uni-Baby (a baby with a unicorn horn), Sockarang (he has socks for arms. They can be thrown like boomerangs), and Wexter (a Tyrannosauraus Rex with Gatling guns for arms) on their mission to fight evil. That’s it. Now, if that sentence didn’t convince you to go out and buy a thousand copies, then I think you’re a communist. On the surface, Axe Cop is the gimmickiest of gimmicks: a comic written by a six-year-old boy. When you dig deeper though, you realize that it’s really the ultimate tribute to pure imagination, unfettered by logic, by rationality, or by the rules of storytelling. Ethan Nicolle should be commended for taking the random musings of his younger brother and turning them into a true work of art.

8. World Of Hurt by Jay Potts

It’s tempting to dismiss World Of Hurt as a simple parody, but it’s anything but. What it really is, is an homage to a genre that gets paid tribute to often, but rarely as lovingly and painstakingly as it is here: Blaxploitation. The strip deals with the continuing adventures of Isaiah “Pastor” Hurt, street-savy hero-for-hire who regularly battles drug-dealers, revolutionaries, and corrupt cops in an effort to keep his streets clean, while trying to make a living by doing so. The dichotomy of Potts using 4 panel techniques used by the likes of Milt Canniff and  Alex Raymond in the 1930s and 1940s, while telling stories based on a genre made popular in the 1970’s should be unsettling, but it really works. Potts sense of timing, and his talent at storytelling is improving with every story arc.

7. Cura Te Ipsum by Neal Bailey And Dexter Wee

Imagine that you’re not alone in the universe. Imagine that you discover that there are numerous versions of you, in numerous permutations of what you consider to be reality. Then imagine that one of those versions is the worst villain in the history of the world, and that he wants nothing more than to destroy the very fabric of the universe as we know it, and it’s up to you to stop him. That is the premise of Cura Te Ipsum, and it’s a great one. Intrigued? Of course you are. Ambition is the watchword for this strip. Bailey and Wee have created a large, epic canvas on which to tell their alternate reality-hopping adventure, and it’s one that seems to be only growing in scope with every panel and page. And although I keep expecting the strip to collapse under its own weight one of these days, it only seems to be getting better and bigger. It’s an action-packed sci-fi thriller, in the truest sense.

6. Nathan Sorry by Rich Barrett

On 9-11, Nathan Sorry was supposed to die. He didn’t. This is the story of what he did after, and why he made the choices he did. Ostensibly a 9-11 story, what Nathan Sorry is really about is consequences. It’s a political thriller of sorts, but the thrills come more from the well-developed characters and their small-town dramas than they do any over-arching political message. It’s more Robert Ludlum than Tom Clancy in its approach to highs and lows, but fans of well-crafted comic books would be well-served by this smart, engaging ne0-noir.

5. Lady Sabre And The Pirates Of The Ineffable Aether by Greg Rucka and Rick Burchett

Pirates. Steampunk. Pretty girls. I doubt you need more than those three things to create a great comic, but to Lady Sabre Greg Rucka and Rick Burchett also add great characters, smart tension, and some of the best art you’ll see in comics at all this year. We’re starting to see more comic veterans follow Warren Ellis’ Freak Angels business model (give away the webcomic for free, then charge for the collections and merchandise), and Lady Sabre is proving to be an excellent example of what A list talent can do with the burgeoning sub-medium of webcomics.  I can honestly say that there isn’t a better looking webcomic out there right now. Burchett seems to be relishing the opportunity to show what can he do to a new audience, and every new page of this strip is a revelation in how to build an evocative fantasy adventure.

4. The Abaddon by Koren Shadmi

The Abaddon starts with a man named Ter. He knocks at the door of an apartment, looking for a new home. He’s welcomed graciously by the residents, but we find out quickly that mystery abounds. Not only do the residents not seem to know anything about the place they are living in, or how they got there, but even Ter himself doesn’t have any recollection of how he arrived, or even what his real name is.  To create real mystery, you must create real tension, and Shadmi weaves tension like a spider. Every panel strengthens the characters, and every line of dialogue enhances the mystery. The art is bold and unconventional, and it’s absolutely perfect for setting the tone that Shadmi is going for here. If you love a great mystery, this needs to be a regular stop of yours.

3. Hark! A Vagrant by Kate Beaton

 Rather than a continual serial story, Hark! is a series of unrelated strips, ranging from one panel to several pages. The subject matter ranges from pop culture, to politics, to literary fiction, but the main focus here is on history. Or if you’d like, making fun of history. Kate Beaton’s got a knack for finding the humour in pretty much everything, or to put it more accurately, creating humour out of pretty much everything. Although a lot of the work is slightly absurdist in nature, there’s an intelligent grasp of the inherent silliness in how seriously we take our selves, and how seriously we take our history. What I love most about Beaton’s work is how much it demands of the reader. If you don’t know the historical events she’s lampooning, you won’t get the joke. Same deal if you haven’t read Jane Eyre or Wuthering Heights. There were a lot of great Hark! strips this year, but my personal favourite might be Beaton’s take of what famous books might be about going only by their Edward Gorey covers.

2. The Abonimable Charles Christopher by Karl Kerschl

Kerschl is Stewart’s studio partner, though the only real similarity between the two of them is a constant commitment to quality. While Sin Titulo is a tight thriller, Charles Christopher is a meandering fantasy, and a beautiful one at that. Charles Christopher is, in fact, a sasquatch. Or a yeti. Kerschl never actually says, and that’s ok. He lives in a forest with a multitude of talking animals, who all have their own dramas and subplots. The strip jumps between the adventures of Charles himself, the denizens of the forest, and flashbacks involving Vivol, a bear that serves as an elder statesman of sorts for the strip. Although Kerschl is taking his time at unraveling some of the comics secrets, the journey he takes you on while getting there is the real reason I love this strip as much as I do.

1. Sin Titulo by Cameron Stewart

Stewart is getting a well-deserved reputation in the big leagues for his work on books like Batman & Robin, but Sin Titulo is where his heart is, despite the inconsistent updates. Here’s the plot: When going through his estranged dead grandfather’s personal belongings, a man discovers a picture of his grandfather with a beautiful young woman that he’s never seen before. Intrigued, he goes to his grandfather’s grave, only to see the same woman there. And the mystery begins. What ensues is one of the most compelling, complex, and sometimes convoluted mysteries I’ve read in comics this year. Stewart has said that his prime inspiration here was the TV series Lost. He wanted to create a narrative that had numerous seemingly unsolvable mysteries attached to it. He’s accomplished that, in spades. The only question now is whether or not he can deliver on the promise to actually shed some light on the previous 150 pages of weirdness and strangeness. If he does, he’ll have accomplished no mean feat: The best long form web comic to date.

Best Comics Of 2011: Best Collections/Translations/Reprints

Opinions are like armpits, assholes,  and addictions in that everybody has one, and we all think everyone else’s stinks. And so once a year those of us who are a little more outspoken than others (in their opinions, not our assholes) drag ourselves out of our gutters so that we can vomit out our takes on everything that happened over the past 365 days.

My goal here is to be as comprehensive as possible. My tastes are quite varied, and so there should be something for everyone. Obviously I can’t read everything, so if you think there is something you think I’ve missed, let me know. There are six comic categories I’m covering this year: Best Collections, Best Anthology, Best Webcomic, Best Ongoing, Best Mini, and Best Original Graphic Novel or Single Issue. I’ll be posting them sporadically throughout the month of December.

The first category is for comics that have already been printed at some point, either on-line, in single issue format, or in a language different from English. I’m judging both for quality of the work itself, but also for the quality of the reprint packaging itself. I’m usually picking stuff that either has never been reprinted before, or was hard to find before this particular printing.

10. Welcome To Oddville by Jay Stephens (AdHouse)

I wasn’t familiar with Welcome To Oddville at all, but I’ve learned in recent years to at least give a gander to pretty much everything AdHouse puts out. No other independent publishing house puts out the varied breadth of material these guys do, and Welcome To Oddville is a worthy addition to their weird little corner of the comics world. It’s a collection of comic strips that originally ran online and in the Toronto Star. It’s an absurdist take on a little girl’s quest to be a superhero, but it’s the execution of the strip that really impressed me, rather than the subject matter. Stephens is creating half-page masterpieces here, completely subverting what we think of as comic strip tropes. Although the subject matter and tone is vastly different, fans of design-cartoonists like Chris Ware will find much to like here.

9. Torpedo Vol. 3 by Enrique Sanchez & Jordi Bernet (IDW)

One of the better translation attempts in recent years has been IDWs beautiful hardcover collections of these striking Italian crime comics by Enrique Sanchez and Jordi Bernet. On the surface, these are short black and white pieces about a tough hood trying to claw his way up the criminal ladder in 1930’s New York, but in actuality these are really slice of life stories, and they cover everything from crime, to the immigrant experience, to sex, and everything in between. In some ways this is a companion piece to Will Eisner’s Spirit character, just told from the viewpoint of the villain. The best translation job I’ve read this year.

8. Hark, A Vagrant by Kate Beaton (Drawn & Quarterly)

Probably the best “Gift Idea” of the whole bunch, as what’s required to really appreciate this isn’t so much a love of comics as a love of history.  There are a lot of web comics that focus on humour as opposed to a serial narrative, but most of them eschew actual comedy  for the sake of pop-culture arrogance. This is a beautiful little collection of some of Kate Beaton’s funniest, and most effective works, and one that’s perfect for anybody in your family that appreciates true humour. This one will pop up again on the best web-comics list.

7. WE3 Deluxe Edition by Grant Morrison and Frank Quitely (Vertigo)

The greatest comic Grant Morrison ever wrote gets a beautiful, deluxe hardcover, complete with brand new pages as conceived by the brilliant Frank Quitely. As much praise as this book got when it first came out 10 years ago, it’s just not enough. It’s one of the great comic book adventure stories of the past decade, and it hasn’t aged a bit. Frank Quitely’s work here is staggering, and he seems to be the only artist that makes Grant Morrison’s scripts as great as he thinks they are in his head. One of the best “household pets get turned into cybernetic war machines and then go and the road and share adventures together” stories you’ll ever read.

6. Hellboy Library Vol. 4 by Mike Mignola, and others (Dark Horse)

I will never get tired of these. This is the fourth volume in Dark Horse’s efforts to give Mike Mignola’s premier character the deluxe oversized treatment he deserves, and it’s the first to contain art by someone other than Mignola. When Mignola first started using other artists like Richard Corben and Craig Russell to help supplement his work on Hellboy, the effect was jarring, to say the least. Mignola’s command of colours, dark lines, and shade is such an important part of the complete Hellboy package that it was (and still is) extremely difficult to really appreciate anybody else’s work on the character, no matter how venerable that artist may be. Years later, we can now see the positives of letting other people play in Mignola’s sandbox, and as a result we’ve gotten some of the quirkier and stranger stories in the Hellboy canon. My personal favourite here is Mignola and Corben’s The Crooked Man, a seriously creepy jaunt into Appalachian demon-lore.

5. Finder Complete Collection Vol. 1 & 2 by Carla Speed McNeil (Dark Horse)

I’m a little embarrassed that it’s taken me this long to be introduced to the sprawling sci-fi world of Carla McNeil’s Finder. I think the reason why it’s escaped me for this long is that it’s almost impossible to explain what the thing is actually about in less than the almost 1300 pages or so that these two books contain. This is world building, in the tradition of Herbert and Asimov, and that’s pretty rare in comics these days. What Finder shares with those author’s works, is that although the settings and scope may be huge, what they’re really about is people. The world that Finder’s characters live in is different from ours, but it’s not THAT different, and weirdly enough reminds me of 2000AD‘s Mega-City One, in terms of just how flexible and open the concept is. McNeil can (and does) tell pretty much any type of story she wants in her world: Sci-fi, magic, drama, romance, you name it. And once you’ve read these, then you get to read them again, this time with the amazingly detailed concordance that McNeil included in the back of each volume, so that you can see just how much you missed the first time.

4. Infinite Kung-Fu by Kagan McLeod (Top Shelf)

There have been several comics in recent years that have attempted to emulate the look and feel of 1970’s kung-fu films as envisioned by the Shaw Brothers (Immortal Iron Fist, Pang The Wandering Monk) and others, but I’m here to tell you that Infinite Kung-Fu might be the very best of the bunch. It’s also another book that could probably make a strong case for being put in my upcoming Best Graphic Novels of 2011 post , as much of this material has never been seen before. Infinite Kung-Fu was originally a comic series published by Canadian Kagan McLeod over a decade ago but it remained mostly unfinished , until now. Top Shelf took all of the original comics, got McLeod to finish his martial arts epic, and collected the whole thing in a beautiful 464 page ass-kicking extravaganza. The love that this book demonstrates towards a genre that spans two separate mediums is a pretty rare thing to be found in comics these days, and McLeod needs to be heralded for the sheer ballsiness of what he’s accomplished here. McLeod has a kinetic art style that pretty much pulls you from page to page so fast that you feel as if your neck might snap.

3. Parker: The Martini Edition by Darwyn Cooke (IDW)

It might be a little earlier to be adopting the “Absolute” format for Darwyn Cooke’s masterful Parker adaptations, but I don’t really care. Not only does this blow-up two of the best graphic novels of the past decade into a full oversized (actually more than twice the size of the original pages) mastodon, it also includes a new Parker adaptation by Cooke, and plenty of other concept art. As great as this is, I would say that this, like the new version of Bone, is for hardcore fans of the original works only, as the originals are still more than enough for casual readers. But if you love these retro crime classics as much as I do, then this is a must own.

2. Bone 20th Anniversary Deluxe Edition by Jeff Smith (Cartoon Books)

The greatest comic book of all time gets a massive deluxe hardcover treatment. There isn’t much that’s “new” about this version of Jeff Smith’s masterpiece, other than that it’s the first time that the full-colour Scholastic version of Bone has been collected in one volume, but it’s impressive just the same.  One might argue that colouring one of the greatest black and white works in comic history is a sacrilege, but I was surprised by just how much depth the colour actually added here. As for the actual comic? It’s still one of the greatest complete serial works the medium has ever produced. It’s an epic in every sense of the word, and you pretty much have to go outside the medium and look at the prose or film worlds (LOTR being the most obvious comparison) before you can find something to really compare it to.  Unfortunately, the high cost of this is going to prove prohibitive to most, and so the black and white softcover edition of this will probably remain your best bet.

1. Mister Wonderful / Death Ray by Daniel Clowes (Pantheon)

I know a lot of lists are going to have Mister Wonderful on their “Best Original Graphic Novel” lists, but since most of it was previously published by New York Magazine, I thought that my  reprints/collections column was the best home for this. That being said, it’s got the impact of a new work, mostly because no one reads New York Magazine. It’s interesting to read these two vastly different books side by side, as you really get to see the changes to a more confident, yet subtler tone in Clowes’ style over the past decade. He’s matured from “just” being a quirky, underground cartoonist, to becoming one of the medium’s strongest voices. Mr. Wonderful is quite simply one of the best things Clowes has ever done. It’s a command performance, by a master. I dare say that very few people in the business are capable of the kind of narrative innovations that Clowes is displaying here. If you love romance and drama in your comics, this is a must buy.

Honourable Mentions: The Mighty Thor: Artist’s Edition by Walt Simonson (IDW),  Mazeworld by Alan Grant & Arthur Ranson (2000AD), 20TH Century Boys by Naoki Ursawa (VIZ)